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News October 15, 2018

Grow My Music makes 2018 2-day seminars free for artists

Grow My Music makes 2018 2-day seminars free for artists

Grow My Music, one of Australia’s most burgeoning music industry resources, is making its 2 Day Seminars in Sydney and Melbourne free to attend.

Taking place next month, the music education provider will host two two-day seminars to offer best practice music business models, and strategies artists can use to increase their fan base, profile and income.

Grow My Music‘s ditching of the $1,497 ticket price this year is to celebrate the release of its new mobile app, which acts as a bridging tool for artists to have their music heard by labels, publishers, streaming services, booking agents, sync companies and more.

Grow My Music CEO Martin Brown said:

“Not only will rooms full of artists and songwriters leave the seminars with a career-altering wealth of knowledge, they’ll also leave with multiple songwriting sessions scheduled in with other writers post the seminar.

“This is an incredible networking event and will assist artists/songwriters in creating new relationships with writers from outside of their current writing circles, whilst increasing their own publishing catalogue.”

grow my music mobile app

Grow My Music mobile app

Grow My Music’s seminar alumni have gone on to achieve:

  • High rotation on triple j
  • Major TV and movie Syncs
  • Major support shows and tours
  • Sold-out headline shows
  • triple j Unearthed Feature Artist
  • Organic growth in social following by over 20,000 in under a week
  • Label deals
  • Publishing deals
  • Management deals
  • Booking Agent deals
  • Significant co-writing opportunities
  • New income streams

The seminars are supported by APRA AMCOS, Tone Deaf and The Industry Observer.

The Melbourne seminar takes place November 3 and 4, while the Sydney seminar takes place November 17 and 18.

REGISTER FREE FOR THE MELBOURNE SEMINAR HERE

REGISTER FREE FOR THE SYDNEY SEMINAR HERE

Watch how the Grow My Music app works below:

This article originally appeared on The Industry Observer, which is now part of The Music Network.

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